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Albums

7faz / Faza C

19 July 2016

Nasiono 76/2016

1. Faza C     28:41

*
format: cd-r
sleeve: white unipack on left side. Print: stamps. Booklet included. Handmade, numbered copies (100)
total time: 28:41

FREE UPGRADE to Faza C+B or C+A on one CD-R!
PREMIERE: 22 July 2016




price: 29,99 zl (+ 6 zl costs for shipping inside Poland)




price: 6,99 € (+ 5 € costs for shipping outside Poland)


Faza C
(phase C)

Pure drone, pure phase. The only one generated using nothing but synthesisers and effects. No guitars, brass, vocals or musicians. Created by Karol Schwarz during the Pure Phase Ensemble 3 ft Laetitia Sadier workshop taking place during SpaceFest.
PPE3 musicians composed 6 songs over the course of four days, while I made one sound. I set the instruments, effects and feedback to play on their own. Waves emerge and disperse. Rise and fall. On the fourth day, I turned the recorder on and went for a walk – says Karol Schwarz.


CREDITS:
composed by
Karol Schwarz (Pure Phase Ensemble, KSAS) – synths, phase, feedback

Recorded by Karol Schwarz at Laznia Centre for Contemporary Art, Gdańsk 2013.

 

about 7faz:
Seven is a mystical number. It is a symbol of wholeness, fulfilment and perfection in many mythologies and religions of the world; it symbolises the bond between time and space. It was an attribute of gods, its figure featured in architecture, holy scripts, commandments and cosmology. There were seven virtues, seven sacraments, seven liberal arts and seven bodily “glories” of the blessed in Heaven. But we’re not done yet: there are seven days of the week, seven planets ruling the zodiac, seven rainbow colours and seven crystal systems. Not to mention Seven Samurai and the same amount of The Magnificent. And how many notes are there in music? That’s right, seven.

Now there comes another seven: 7faz – a new project by Tricity (Gdansk-Sopot-Gdynia / Poland) musicians associated with Nasiono Records. The project ideally fits the symbolism mentioned above. Why? Because 7faz is a finished wholeness and harmony but simultaneously – it constitutes a building material for something more.

Seven phases may be just listened to, but they also provide building blocks for musicians or DJs. “Phases G and E were used by Pure Phase Ensemble 5 ft Hugo Race during SpaceFest performance. You can hear Phase G in the background of “I’m Gonna Use My Claws” by Asia i Koty. Phases are also used by Projekt Poezja Kulturystyczna (Bodybuliders’ Poetry Project)” – says Karol Schwarz, the initiator and one of the creators of the project.

Seven phases create seven musical spaces recorded on seven separate discs. Each phase usually consists of two parts: tuning (a tranquil, contemplative part) and a trip (a louder part).

Individual phases constitute separate entities but they all interconnect in an unusual way, complement each other, unceasingly swirl around each other and interfere.

Seven days before The Deluge Noah heard: Take with you seven pairs of every kind of animal, a male and its mate. And also seven pairs of every kind of bird, male and female, to keep their various kinds alive throughout the earth. We do not know what Karol Schwarz heard, but the fact is that the musicians he gathered met and recorded in a wooden barn situated in the middle of Kashubian nowhere. Seven kilometres from the nearest village shop. And when it stopped raining – a rainbow of seven colours appeared in the sky…
more about 7faz: https://nasiono.net/en/album/7faz/

 

Released with the financial assistance of the City of Gdansk within the framework of The Cultural Grant of the City of Gdańsk
gdansk_logo

 

REVIEWS:
* * *

7faz / Faza B

7 June 2016

Nasiono 75/2016

1. Faza B cz.1 11:00
2. Faza B cz.2 13:25
2. Faza B cz.3 12:36

*
format: cd-r
sleeve: white unipack on left side. Print: stamps. Booklet included. Handmade, numbered copies (100)
total time: 37:01

FREE UPGRADE to Faza A+B on one CD-R!
PREMIERE: 24 June 2016




price: 29,99 zl (+ 6 zl costs for shipping inside Poland)




price: 6,99 € (+ 5 € costs for shipping outside Poland)

 

Faza B

The starting point in composing Phase B were the notes – surprisingly found in the attic – from a secret diary of a submarine captain, who, during his six-week long winter tour, finally reached the bottom. It seemed unexpectedly vibrant: lit with the remnants of inner light, it opalesced like a nacre. The dark depths above were shot through with streaks of singing: when the captain shut his eyes tighter it seemed to him that he noticed tiny reflections of sunlight in the scales of sirens’ tails afar. Heedless of the hazard he set off in hot pursuit; for a while he thought he grabbed the gist with his greedily extended hand, but all he grasped was a sextant. He finally tried to save himself by trim to the stern, but caught on sleepwalking by the able seaman apparently attracted by the noises, he spent the rest of the voyage locked in the caboose.

CREDITS:
All songs composed by 7faz
Karol Schwarz (Pure Phase Ensemble, KSAS) – guitar, voice, phase
Michał Gos (Oczi Cziorne, Mazzoll & Arhythmic Perfection) – drums
Tomasz Gadecki (Olbrzym i Kurdupel, Band A) – saxophone, voice
Jakub Noga (KSAS, Baden Baden) – voice
Jowita Cieślikiewicz (Oczi Cziorne) – synthesizers
Szymon Albrzykowski (Szelest Spadajacych Papierkow, Prawatt) – synthesizers
Marcin Bożek (Olbrzym i Kurdupel) – bass guitar
Piotr Czerski (Towary Zastępcze) – guitar
Max Białystok (1926) – guitar, voice
Joanna Bielawska (Asia i Koty) – voice

lyrics: Jakub Noga, Karol Schwarz

Recorded by Karol Schwarz at Stodoła Na Siano. Sept. 2015, Kaszuby, Poland
Mixed, produced by Karol Schwarz

Seven is a mystical number. It is a symbol of wholeness, fulfilment and perfection in many mythologies and religions of the world; it symbolises the bond between time and space. It was an attribute of gods, its figure featured in architecture, holy scripts, commandments and cosmology. There were seven virtues, seven sacraments, seven liberal arts and seven bodily “glories” of the blessed in Heaven. But we’re not done yet: there are seven days of the week, seven planets ruling the zodiac, seven rainbow colours and seven crystal systems. Not to mention Seven Samurai and the same amount of The Magnificent. And how many notes are there in music? That’s right, seven.

Now there comes another seven: 7faz – a new project by Tricity (Gdansk-Sopot-Gdynia / Poland) musicians associated with Nasiono Records. The project ideally fits the symbolism mentioned above. Why? Because 7faz is a finished wholeness and harmony but simultaneously – it constitutes a building material for something more.

Seven phases may be just listened to, but they also provide building blocks for musicians or DJs. “Phases G and E were used by Pure Phase Ensemble 5 ft Hugo Race during SpaceFest performance. You can hear Phase G in the background of “I’m Gonna Use My Claws” by Asia i Koty. Phases are also used by Projekt Poezja Kulturystyczna (Bodybuliders’ Poetry Project)” – says Karol Schwarz, the initiator and one of the creators of the project.

Seven phases create seven musical spaces recorded on seven separate discs. Each phase usually consists of two parts: tuning (a tranquil, contemplative part) and a trip (a louder part).

Individual phases constitute separate entities but they all interconnect in an unusual way, complement each other, unceasingly swirl around each other and interfere.

– It is a perfect music for work, yoga and solitude – as someone stated in one of the reviews published after the publication of the first of Seven Phases on Bandcamp.

Seven days before The Deluge Noah heard: Take with you seven pairs of every kind of animal, a male and its mate. And also seven pairs of every kind of bird, male and female, to keep their various kinds alive throughout the earth. We do not know what Karol Schwarz heard, but the fact is that the musicians he gathered met and recorded in a wooden barn situated in the middle of Kashubian nowhere. Seven kilometres from the nearest village shop. And when it stopped raining – a rainbow of seven colours appeared in the sky…
more about 7faz: https://nasiono.net/en/album/7faz/

 

 

REVIEWS:
* * *

7faz / Faza A

14 April 2016

Nasiono 74/2016

1. Faza A cz.1 06:15
2. Faza A cz.2 (Basketball) 10:52

*
format: cd-r
sleeve: white unipack on left side. Print: stamps. Booklet included. Handmade, numbered copies (100)
total time: 17:08

FREE UPGRADE to Faza A+B on one CD-R!
PREMIERE: 20 May 2016




price: 29,99 zl (+ 6 zl costs for shipping inside Poland)



price: 6,99 € (+ 5 € costs for shipping outside Poland)

 

Phase A
part one – drone on four guitars, an analogue synthesizer, a sitar and a saxophone; a musical mantra cleared of attack, rather swirling than flowing

part two – a flight of a ball thrown high up and falling to bounce again; the instruments playing extremely loud hit unison in an escalating tempo, to finally intertwine in a radical noise chaos scattering again – in time – into a rhythmical beat.

CREDITS:
All songs composed by 7faz
Karol Schwarz (Pure Phase Ensemble, KSAS) – guitar, voice, phase
Michał Gos (Oczi Cziorne, Mazzoll & Arhythmic Perfection) – drums
Tomasz Gadecki (Olbrzym i Kurdupel, Band A) – saxophone
Jakub Noga (KSAS, Baden Baden) – sitar
Jowita Cieślikiewicz (Oczi Cziorne) – synthesizers
Szymon Albrzykowski (Szelest Spadajacych Papierkow, Prawatt) – synthesizers
Marcin Bożek (Olbrzym i Kurdupel) – bass guitar
Artur Bieszke (KSAS, Walrus Alphabet) – guitar
Piotr Czerski (Morze) – guitar

Recorded by Karol Schwarz at Stodoła Na Siano. Sept. 2015, Kaszuby, Poland.
Mixed, produced by Karol Schwarz.

Seven is a mystical number. It is a symbol of wholeness, fulfilment and perfection in many mythologies and religions of the world; it symbolises the bond between time and space. It was an attribute of gods, its figure featured in architecture, holy scripts, commandments and cosmology. There were seven virtues, seven sacraments, seven liberal arts and seven bodily “glories” of the blessed in Heaven. But we’re not done yet: there are seven days of the week, seven planets ruling the zodiac, seven rainbow colours and seven crystal systems. Not to mention Seven Samurai and the same amount of The Magnificent. And how many notes are there in music? That’s right, seven.

Now there comes another seven: 7faz – a new project by Tricity (Gdansk-Sopot-Gdynia / Poland) musicians associated with Nasiono Records. The project ideally fits the symbolism mentioned above. Why? Because 7faz is a finished wholeness and harmony but simultaneously – it constitutes a building material for something more.

Seven phases may be just listened to, but they also provide building blocks for musicians or DJs. “Phases G and E were used by Pure Phase Ensemble 5 ft Hugo Race during SpaceFest performance. You can hear Phase G in the background of  “I’m Gonna Use My Claws” by Asia i Koty. Phases are also used by Projekt Poezja Kulturystyczna (Bodybuliders’ Poetry Project)” – says Karol Schwarz, the initiator and one of the creators of the project.

Seven phases create seven musical spaces recorded on seven separate discs. Each phase usually consists of two parts: tuning (a tranquil, contemplative part) and a trip (a louder part).

Individual phases constitute separate entities but they all interconnect in an unusual way, complement each other, unceasingly swirl around each other and interfere.

– It is a perfect music for work, yoga and solitude – as someone stated in one of the reviews published after the publication of the first of Seven Phases on Bandcamp.

Seven days before The Deluge Noah heard: Take with you seven pairs of every kind of animal, a male and its mate. And also seven pairs of every kind of bird, male and female, to keep their various kinds alive throughout the earth. We do not know what Karol Schwarz heard, but the fact is that the musicians he gathered met and recorded in a wooden barn situated in the middle of Kashubian nowhere. Seven kilometres from the nearest village shop. And when it stopped raining – a rainbow of seven colours appeared in the sky…
more about 7faz: https://nasiono.net/en/album/7faz/

 

 

REVIEWS:
*   *   *
“(…) Part 1 is a meditative drone on four guitars, an analogue synthesizer, a sitar and a saxophone which is not unlike the more experimental/drugged out sonic adventures of Spacemen 3. It’s a musical mantra cleared of attack and more swirling than flowing, which is a total contrast to the second part of the EP. Part 2 (Basketball) is cacophonous Space Jazz that represents the flight of a ball thrown high up and falling to bounce again with the instruments playing extremely loud in unison to an escalating tempo before breaking down into chaotic noise……..think the Sun Ra Arkestra and  Spiritualized fighting over the lost chord. (…)”
https://theepsychedelicatessen.blogspot.co.uk/2016/05/7faz-faza-phase-ep-nasiono-records-cd-dl.html

*   *   *
“(…) The second track, “Faza A cz.2 (Basketball)” is built at close range fuzz guitar attacks in the vein of Spiritualized circa 1997. A molotov cocktail that will shake the neurons of the most demanding music lovers and especially those who miss the guitarrorists flings of Jason Pierce, today lost in gospel rock and roll. (…)”
http://peruavantgarde.blogspot.pe/2016/05/cop-shoot-cop-with-7faz.html

Asia i Koty / Sing

6 April 2016

Nasiono 73/2016

1. Just Never Stop (2:00)
2. In the Morning (7:04)
3. Miracle I Hate (5:26)
4. Wiosna (3:54)
5. All I Ask: Take My Hand (4:36)
6. Sing (3:55)
7. I’m Gonna Use My Claws (4′:42)
8. Safe in Their Alabaster Chambers (4:21)
9. I Ain’t Worse (4:23)
10. Till the Rivers Flow (4:50)

*
format: cd-audio
sleeve: digipack
total time: 45:11

Buy CD via bandcamp or write to us.

 

The second album entitled “Sing” was released on 2 April 2016 on Nasiono Records label that Bielawska has been associated with from the very beginning of her career. As the title indicates, this album is about singing and vocals play a major role in it. Asia i Koty intertwines various musical inspirations here, among which one can sense the spirit of Angel Olsen, Cat Power or Julianna Barwick. The music is based on the sound of an electric guitar but Joanna Bielawska also reaches for an acoustic guitar, piano, loops her instruments or enhances them with a subtle beat. The artist states that this album is about the importance of singing songs in her life and about a constant struggle with herself, about the barriers we create for ourselves:

“Sing” is a chronicle of my battle with depression, pathologically low self-esteem and persisting lack of faith in myself. The songs were written without any prior planning – they are the result of spontaneous home recording sessions which occurred when I had a chance to turn my self-loathing into creative energy. The song “Sing” is about a constant state of self-doubt which paralyses and prevents from doing anything most of the time. “Miracle I Hate” is presenting my fascination with how the state of depression can totally distort the perception of oneself. Because how is it possible to relish the world that surrounds you and at the same time thoroughly hate yourself and your life which after all is a miracle too? “In the Morning” is about the strokes of hope and life energy – and how quickly they tend to slip through your fingers. “All I Ask Take My Hand” is about the things a depressed person expects from their loved ones. Depression destroys not only the person suffering from it but also the loved ones who tend to take responsibility for the illness. Even though they are not to blame in the slightest. In most of the cases, depression has nothing to do with whatever is happening around us. It comes and goes without any notice. In a slip of a second it can take the whole meaning of life away, but not forever. That’s why sometimes it’s enough just to hold each other’s hands and to wait for the meaning to come back.

 

music & lyrics by Joanna Bielawska
except 8 – lyrics by Emily Dickinson

Joanna Bielawska: vocals, guitars, piano, synthesizer, electronics
Charlie Spad: drums (10), electronics (7)
7faz: Faza G (7)

all tracks recorded at home, mixed and produced by Joanna Bielawska
mastered by Karol Schwarz

photography: Paweł Jóźwiak
artwork: Marta Dobrzańska

 

facebook.com/asiaikoty
instagram.com/asiaikoty
asiaikoty.bandcamp.com
booking + contact: booking@nasiono.net

Nasiono Records Sampler Vol 4

4 January 2016

Nasiono 72/2016


price: 15,99 zl (+ 6 zl costs for shipping inside Poland)
 


price: 3,99 € (+ 5 € costs for shipping outside Poland)

*
format: cd-audio
cover: sleeve
total time: 77:31

 

01. Tutwiler – Kiedy synku                2:13
taken from ‘Palcociski’ (sulejmanije/nasiono, 2014)
music, lyrics: Grzegorz Welizarowicz
recorded at Studio im. Adama Juniewicza, Sopot by: Well IS A
Mix: Well IS A & Wojciech Michałowski
Producer: Well IS A for Sulejamnije Rec
Mastering: Karol Schwarz
www.facebook.com/sulejmanije

02. The Shipyard – Downtown 2012            4:02
taken from ‘We Will Sea’ (nasiono, 2012)
music: The Shipyard
lyrics:  by Rafal Jurewicz & Piotr Pawlowski
sound engineer: Michal Miegon, Music Saloon Studio, Sopot, winter 2011/12
produced by Piotr Pawlak & Piotr Pawlowski
mixed and mastered by Piotr Pawlak
www.theshipyard.pl

03. Karol Schwarz All Stars – Czarnobrązowy jest orzech laskowy        3:59
taken from ‘Nasiono Swap Singers’ (nasiono, 2012)
music: Karol Schwarz, Artur Tobolski, Tomasz Zukowski
lyrics: Karol Schwarz (based on traditional)
Karol Schwarz: guitars, beats, backin vocals; Artur Tobolski – bass; Joanna Bielawska – voice; Szymon Albrzykowski – voice
recorded, mixed, produced by Karol Schwarz
www.facebook.com/ksaspl

04. Ta Energia – Guide To Go Go            3:43
taken from ‘Nasiono Swap Singers’ (nasiono, 2012)
music: Filip Szałasek, Karol Schwarz
lyrics: Filip Szałasek
Karol Schwarz: guitars, vocal; Sławomir Draczyński – bass; Jakub Świątek – drums; Michał Miegoń – guitar; Anna Szuchiewicz – backing vocal.
recorded, mixed, produced by Karol Schwarz

05. Asia i Koty – Somewhere More Like Summer    2:01
taken from ‘EP’ (nasiono, 2010)
music, lyrics: Joanna Bielawska
recorded, mixed by Tomasz Maciątek at Studio im. Adama Mickiewicza, Warszawa 2010
mastered by Karol Schwarz at DJK, Gdańsk 2010
www.facebook.com/asiaikoty

06. The Końs – Puszyści faszyści            2:30
Taken from ‘The Końs’ (na siano, 2015)
music: Jarosław Marciszewski
lyrics: Michał Piotrowski
www.nasiono.net/nasiano/2015-4.html

07. Mordy – Dogs Of Heart                3:43
taken from ‘Nobody’ (nasiono, 2011)
music: Bergmann, Welizarowicz
lyrics: Welizarowicz
1st mixes by: V. Elisa Rovicz, Tomasz Bergmann.
Final mix and master at DJK, Gdańsk by Karol Schwarz, March-May 2011.
Produced by: V. Elisa Rovicz and Tomasz Bergmann for Mordy Rec. and Karol Schwarz for nasiono records.
www.nasiono.net/mordy

08. Projekt Poezja Kulturystyczna – Abeesy (Radio Edit)    3:38
previously unreleased
muzyka: Artur Bieszke, Michał Miegoń, Jakub Noga, Karol Schwarz, Artur Tobolski, Tomasz Żukowski
słowa: Janusz Opinc
Tomasz Żukowski: perkusja, perkusjonalia, Artur Tobolski: gitara basowa, Michał Miegoń: chórki, klawisze, elektronika, Karol Schwarz: chórki, gitara basowa, gitara elektryczna, Szymon Albrzykowski: śpiew, Joanna Bielawska: chórki, Aleksandra Cacha: chórki
recorded, mixed, produced by Karol Schwarz
www.facebook.com/projektpoezjakulturystyczna

09. The Sunlit Earth – Amnesia            3:51
taken from ‘Between The Lines’ (nasiono, 2014)
music, lyrics: Maciej Minikowicz
Paweł Idek – guitar; Maciej Minikowicz – guitars, voice; Maciej Komisarczyk – drums; Michał Prażmo – bass; Joanna Kuźma – backing vocals; Aleksandra Pyznarska – backing vocals
recorded at Stodoła Na Siano by Karol Schwarz
mixed, produced, mastered by Karol Schwarz
www.facebook.com/thesunlitearth

10. Kiev Office – Bulwar Molo                4:08
taken from ‘Statek Matka’ (nasiono, 2014)
Music: Kiev Office
Lyrics: Michał Miegoń
Michał Miegoń – guitar, vocals; Joanna Kucharska – bass; Krzysztof Wroński – drums
Recorded by Michał Miegoń, Studio nr4, spring 2014
Produced by Michał Miegoń
Mixed by Kiev Office @ Sound8
Mastered by Karol Schwarz
www.facebook.com/kievoffice

11. Mastabah – Deck of Life and Death        2:21
taken from ‘I Hate You’ (nasiono, 2014)
music, lyrics: Mastabah
Goro – drums, bass, vocals; Belzebub – guitars; Vnuk – lead guitars
mastabah.pl

12. Rara – ////                        3:56
taken from ‘Planet Death Architecture’ (nasiono, 2015)
written & played: RARA
Michał Pszczółkowski: additional sounds
Mikołaj Zieliński – vocal
recorded, mixed & mastered by Wojtek Noskowiak
Sopot, summer 2014 //// winter 2015
przedpanstwemrara.bandcamp.com/album/planet-death-architecture  / www.facebook.com/raramoment

13. Ampacity – Masters Of Earth (Excerpt)        6:36
full version on ‘Encounter One’ (nasiono, 2013)
music: Ampacity
lyrics: Jan Galbas
Jan Galbas – guitar, vocal; Marek Kostecki – electric piano, organ, synthesizer; Wojciech Lacki – bass; Piotr Paciorkowski – guitar; Sebastian Sawicz – drums
recorded live at Custom34 studio, Gdańsk (11.02.2013)
Engineered by Jan Galbas.
mixed, mastered by Jan Galbas at Sounds Great Promotion Studio, Gdynia
www.ampacityband.com

14. Folder – Chemo                    3:46
taken from ‘Red Lof’ (nasiono, 2009)
music, lyrics: folder
Joanna kuźma-vocal; Mariusz Kużownik – guitars; Jędrek Chrapek – bass; Marcin Miśkiewicz – drums
guest: Karol Schwarz – guitar
recorded and mixed at Krepkowice house, DJK Gdansk by Karol Schwarz
mastered by Karol Schwarz
www.facebook.com/folderband

15. Popsysze – Sukienka                2:42
taken from ‘Popsute’ (nasiono, 2015)
music, lyrics: Jarosław Marciszewski
arrangement: Popsysze
Popsute zarejestrowali
Jarosław Marciszewski – guitar, vocal; Jakub Świątek – drums; Sławomir Draczyński – bass
guest: Marek Kostecki – organ, synthesizer
recorded, mixed, mastered by Jan Galbas
www.facebook.com/Popsysze

16. Prawatt – Dance Through The End Of Night (Radio Edit)    3:17
taken from ‘Nasiono Swap Singers’ (nasiono, 2012)
music, lyrics: Michał Miegoń
arrangement: Karol Schwarz
Szymon Albrzykowski: synhs, beats; Karol Schwarz: vocal, synhs, beats, guitars; Piotr Jachi Jachowicz – building Prawatt machines
recorded by Piotr Jachi Jachowicz, Karol Schwarz
mixed, produced, mastered by Karol Schwarz

17. Pure Phase Ensemble 4 – Doing My Head In    3:02
taken from ‘Live at SpaceFest’ (nasiono, 2015)
music: Pure Phase Ensemble 4
lyrics: Michał Pydo
Mark Gardener – voice, guitar; Ray Dickaty – saxophone; Jacek Rezner – drums; Kamil Hordyniec – bass; Michal Pydo – voice, guitar; Michal ‘Kostek’ Stolc – synths; Karol Schwarz – guitar
recording: Tomek Wojakowski
mix, production, mastering: Karol Schwarz
project supervision: Anna Szynwelska
www.facebook.com/purephaseensemble

18. 7faz – Phase A (Basketball – Radio Edit)        7:31
previously unreleased
music: Szymon Albrzykowski, Jowita Cieślikiewicz, Michał Gos, Tomasz Gadecki, Artur Bieszke, Karol Schwarz,
Piotr Czerski, Marcin Bożek, Jakub Noga,
recorded at Stodoła Na Siano by Karol Schwarz
mix, production: Karol Schwarz
Szymon Albrzykowski – synths; Jowita Cieślikiewicz – keyboard/synths; Michał Gos – drums; Tomasz Gadecki – sax; Artur Bieszke – guitar; Karol Schwarz – guitar, vocal, synths (phase); Piotr Czerski – guitar; Marcin Bożek – bass; Jakub Noga – sitar
www.facebook.com/sevenfaz

19. Band A – Slowly (Radio Edit)            4:13
full version on ‘Live at Na Siano Sunrise’ (na siano, 2015)
music: Tomasz Gadecki, Michał Gos, Krzysztof Stachura, Maciej Szkudlarek
Michał Gos – drums; Tomasz Gadecki – saxophone; Maciej Szkudlarek – bass; Krzysztof Stachura – guitar
Recorded live at Stodoła Na Siano, June 2015
Mixed, mastered by Karol Schwarz
www.facebook.com/heroicbanda

20. Nasiono Shoegaze All Stars – Bowie (Radio Edit)    6:17
previously unreleased
music: Karol Schwarz
lyrics: Karol Schwarz
Antoni Budzińśki – guitar; Bartłomiej Dzierbuń – guitar; Marcin Dzierbuń – drums; Marek Jabłoński – analogue synthesizers, beats; Borys Kossakowski – crumar keyboard, sax; Joanna Bielawska – backing vocals; Michał Piotrowski – theremin; Karol Schwarz – vocal, guitar; Anna Szuchiewicz – backing vocals; Artur Tobolski – bass; Jacek Cent Tomczak – guitar
recorded at Brown Note, Gdańsk 2011 by Karol Schwarz
Mixed, produced, mastered by Karol Schwarz

total time: 77:30

art work: langfuhrundmagenta2015
compilation: Karol Schwarz
contact: info@nasiono.net

 

 

Rara / Planet Death Architecture

4 September 2015

Nasiono 71/2015




price: 29,99 zl (+ 6 zl costs for shipping inside Poland)




price: 6,99 € (+ 5 € costs for shipping outside Poland)

*
format: cd-r
cover: white unipack on left side. Print: stamps. Booklet included. Handmade, numbered copies (100)
time: 31:23

1. ECH/ 03:55
2. EC// 07:46
3. E/// 04:53
4. /CHO 02:32
5. //// 04:02
6. //HO 01:47
7. ///O 06:26

written & played //// RARA
additional sounds //// MICHA? PSZCZÓ?KOWSKI
voice //// MIKO?AJ ZIELI?SKI
recorded, mixed & mastered //// WOJTEK NOSKOWIAK
art //// PATRYCJA RYBACZEWSKA
Sopot, summer 2014 //// winter 2015
https://przedpanstwemrara.bandcamp.com/album/planet-death-architecture
https://www.facebook.com/raramoment

booking: booking@nasiono.net

Pure Phase Ensemble 4 (ft. Mark Gardener) / Live at SpaceFest!

4 August 2015

Nasiono 70/2015

1. Intro
2. Morning Rise*
3. Notatki**
4. Zostań na noc***
5. Peter Song*
6. Doing My Head In***
7. Happy Dancing Woman***

*
format: cd-audio
cover: unipack (3 wings)
time: 55:04

Buy CD via bandcamp or write to us.

Pure Phase Ensemble 4 is an international music collective, created especially for the SpaceFest! festival of shoegaze, space-rock and psychedelia in Gdansk in 2014. Musicians from Poland and abroad gathered to take part in a special workshop. They collectively composed a concert’s worth of music, which they then presented live to the festival-goers. The programme for the workshop was curated by Ray Dickaty, a British saxophonist improviser and former member of Spiritualized (1997-2002) and Karol Schwarz (KSAS), who also manages Nasiono Records label. During the 2014 edition of SpaceFest!, Mark Gardener, the frontman of celebrated shoegaze pioneers RIDE, was a new musical director and co-curated the workshop. This unique performance was recorded live and subsequently released as an LP in 2015.
Mark Gardener (Musical Director, Ride) – voice, guitar
Ray Dickaty (Musical Director) – saxophone, flute, korg monotribe
Jacek Rezner (Wilga) – drums
Kamil Hordyniec (Wilga) – bass
Michał Pydo (Hatifnats) – voice, guitar
Michał ‘Kostek’ Stolc (Cisza nocna) – synths, backing vocals
Karol Schwarz (KSAS) – guitar, voice, korg monotribe, phase

all songs composed by: Pure Phase Ensemble 4
lyrics: *Mark Gardener, **Karol Schwarz, ***Michał Pydo

recording: Tomek Wojakowski
mix, production, mastering: Karol Schwarz
project supervision: Anna Szynwelska
photos: Paweł Jóźwiak
art work: Krzysztof Wroński

Popsysze / Popsute

4 February 2015

Nasiono 69/2015

Buy CD via bandcamp or write to us.

format: cd-audio
cover: unipack (3 wings)
time: 50:13

 

1. Nie nadążam (3:46)
2. Miejsca (2:25)
3. Łasi się (5:52)
4. Sukienka (2:41)
5. Letko (3:02)
6. W samo południe (5:20)
7. Rita (2:21)
8. Come on (5:30)
9. Płomieniowanie (2:57)
10. Biały Szum (4:54)
11. Honeymoon (3:27)
12. Notatka (3:44)
13. Oddycham (4:15)

Popsute zarejestrowali
Jarek Marciszewski – gitara, wokal, klawisze i cymbałki (Honeymoon)
Kuba Swiątek – bębny, wokal, przeszkadzajki, klawisze (Honeymoon)
Sławek Draczyński – bas

Jan Galbas – realizacja płyty

Gościnny udział w nagraniach wzięli:
Tomasz Ziętek – trąbka (Come on)
Grzegorz Guziński – wokal (Honeymoon)
Marek Kostecki – klawisze (sukienka)

Muzykę na płytę napisał Jarek Marciszewski, zaaranżował zespół.
Teksty popełnił Jarek Marciszewski z wyjątkiem
“Płomieniowanie” – Kuba Świątek
“Honeymoon” – Jarek Marciszewski, Grzegorz Guziński

Dziękujemy:
Naszym rodzinom za wsparcie, przyjaciołom za doping.
Jankowi Galbasowi za profesjonalizm i cierpliwość, których konsekwencją jest ten album.
Piotrowi Łukaszewskiemu i całemu Custom 34 za atmosferę podczas rejestrowania materiału oraz wsparcie sprzętowe.

Gościom, którzy urozmaicili materiał:
Tomkowi, Guzikowi, Markowi.
Michałowi Piotrowskiemu za pomoc w redakcji teksów.
Za nieustające wsparcie dziękujemy także: Adamowi Musiałowi, Borysowi Kossakowskiemu, Piotrowi Czerskiemu,
Gosi Bielawskiej, Kubie Sawickiemu, Olek Olek, Remigiuszowi Bystrkowi, Krzysztofowi Letkiewiczowi, zespołowi Remont Pomp,
Pandemonium Tattoo Crue, Nordcity, MJP Druk, Cooltura, Cafe Szafa, Casino Diner, Radio Gdańsk.
okładka projekt: swiatas.pl , skład Gosia Bielawska

contact: info@nasiono.net / popsysze@gmail.com

Kiev Office / Statek Matka

4 September 2014

68/2014 Nasiono

Buy CD via bandcamp or write to us.

format: cd-audio
cover: digipack(2 wings + booklet)
time: 30:25

1 Biała sierść (2:57)
2 Zawracanie z wykorzystaniem infrastruktury (2:37)
3 Szary mistyk (2:59)
4 Opat (5:15)
5 Po południu Mechowo (1:48)
6 Bulwar / Molo (4:08)
7 Indianin (2:30)
8 Statek Matka (2.59)
9 Girls from Rewa, Boys from Hel (4:59)
Recorded by Michał Miegoń, Studio nr4, spring 2014
Produced by Michał Miegoń
Mixed by Kiev Office @ Sound8
Lyrics by Michał Miegoń
Music by Kiev Office
Artwork : Krzysztof Wroński

Michał Miegoń – Vocal, Guitar
Joanna Kucharska – Vocal, Bass
Krzysztof Wroński – Drums

booking: booking@nasiono.net
band: kievofficeband@yahoo.com
contact: info@nasiono.net

TEKSTY

“Biała sierść”

Wilgoć, śnieg i tony ziemii
Wielkie chęci, telegraf
Chciałbym tam pojechać z tobą

Jest na stacji parę rzeczy
Więc czemu badacz kryje twarz?
Miś przychodzi o północy
Biała sierść, biała śmierć
“Zawracanie z wykorzystaniem infrastruktury”

żółte znaki przejmują dosłownością
gdy używasz halogenów
otwierasz się na terror
widują coraz większe przejazdy
uciekamy przez miasto na wielka role

zawracanie z wykorzystaniem infrastruktury
uczono ciebie nasłuchiwać uchem torów
uczono ciebie…
“Szary mistyk”

Trzeci dzień to drugi dzień bo gdzieś zaginał pierwszy
Kładziesz się na boku na sofie
Czwarty dzień to jest twój dzień, to już jest to co lubisz
W drzwiach cienie od rana widują przechodniów – lubią się zabawić

Szary szary
Szary szary mistyk

Biegnie Starowiejską, biegnie biegnie i dopada was
Ja dziś stronie, dziś od miejskich mas
Ja widzę to z daleka
Jestem niewyspany

szary szary
Szary szary mistyk
“Po południu Mechowo”

Jestem
Zakasałem rękaw, drugi też podwinę, w ręku mam latarkę
Jestem czwarty znów w kolejce, boje się o wejście, bardzo chce wejść w to przejście

Gdzie spędzasz czas?
W domu twoja dziewczyna jużgtowa
Pracujesz zawodowo, po południu Mechowo

Mam to, co chciałem, utknąłem w przejściu
Wszyscy już wyszli i tak ciemno jest przy wejściu
Glina, piasek, błoto – to jest mój finalny widok
Kończy się dla mnie świat i już nie mam szans na odwrót

Gdzie spędzasz czas?
W samochodzie zostawiłeś włączone radio
Niedaleko za Krokową, po południu mechowo
Gdzie spędzasz czas?
Tam, gdzie jest sekretny tunel
Za głęboko i pechowo, przeznaczenie to Mechowo
“Bulwar / Molo”

Ten policjant chodzi wstecz
O nas w bramie nie wie nic
Czujesz jego oddech już
W zakamarkach miasta pada deszcz

Kontuzje cię nie bolą
Zapijasz wódkę colą
skaczesz przez bulwar, skaczesz przez molo

Wirujesz wciaz jak fakir
Zawijasz siebie w rollo
Skaczesz przez bulwar, skaczesz przez molo

Na podwórku pięc postaci
Jeden siedzi, czwórka tańczy
Zawsze pierwszy do ucieczki
Wstań, zrelaksuje sie, na spacer idź

Kontuzje cię nie bolą
Walka przeciw zatorom
Skaczesz przez bulwar, skaczesz przez molo
I choć pracujesz czasem
Spędzasz wieczór z atlasem
Skaczesz przez bulwar, skaczesz przez molo
“Indianin”

Wiele mówi, do domu ma blisko więc przejdzie na piechotę ten odcinek drogi
Zrobił wiele – czy najważniejszy zrobił krok w życiu
ciekawa postać

Kontakty z miastem rozległe miał, kontakty
kontakty z miastem, kontakty

A możę kiedyś zastanowi się ktoś jaka rolę miał odegrać on
Kurzu nie ma pozostała tylko kostka brukowa
ciekawa postać

Kontakty z miastem rozległe miał, kontakty
kontakty z miastem, kontakty

Za głęboko i pechowo, przeznaczenie to Mechowo
“Statek Matka”

Patrz na ten statek nie przechyla się
Masowiec z grubą burtą
Silniki kable kurs na drugi brzeg
To nie wakacje to jest Statek Matka

Dwie nadbudówki, kranów widzisz sześć
Czy jest coś co niepokoi cię?
Nie masz powodów by schodzić na ląd
Zastój powoduje chaos, lecz myśli nie sprawiają trudu
Statek Matka
“Girls from Rewa, Boys From Hel”

Girls from Rewa, Boys From Hel
They’re all handsome, looking well
Making business on the sea
In the summer, they feel free

I wish to be one of them
I wish to love and live like
Girls from Rewa, Boys from Hel
Cooking, dreaming, working, swimming
Girls from Rewa, Boys from Hel, beware of porpoise

Girls From Rewa, Boys from Hel
Now i’m finally getting well
I found peace on a seaside shore
Every girl needs a boy

I wish to be one of them
I wish to love and live like

Pure Phase Ensemble 3 (ft. Laetitia Sadier) / Live at SpaceFest!

4 August 2014

Nasiono 67/2014

Buy CD via bandcamp or write to us.

format: cd-audio
cover: unipack (3 wings)
time: 64:57

 

1. Phase in C
2. Frankie Voodoo
3. Heaven and Earth
4. They Sell the Monkey, Its Rock ‘n’ Roll
5. Come Home
6. Tomorrow 10 1/2
7. Song for Edda

PPE3 to już trzeci międzynarodowy kolektyw instrumentalny stworzony specjalnie na potrzeby festiwalu SpaceFest! organizowanego w Gdańsku przez Stowarzyszenie Nasiono i CSW Łaźnia. Grupa muzyków z Polski i zagranicy spotkała się na warsztatach w Łaźni na początku grudnia 2013, aby wspólnie stworzyć materiał muzyczny, który następnie został zaprezentowany publiczności na koncercie podczas festiwalu. Głównymi prowadzącymi PPE3 byli: Ray Dickaty – brytyjski saksofonista współpracujący m. in. z Moonshake, Neilem Youngiem, Dr Johnem, Stereolab, Soulsavers, a w latach 1997-2002 muzyk Spiritualized oraz Laetitia Sadier z grupy Stereolab. Materiał wykonany na żywo (Pure Phase Ensemble 3 Live at SpaceFest!) został zarejestrowany i wydany na płycie CD w sierpniu 2014.

Pełny skład Pure Phase Ensemble 3:
· Laetitia Sadier (Musical Director, Stereolab) – voice, guitar
· Ray Dickaty (Musical Director) – tenor / soprano saxophones
· Małgorzata Penkalla (Enchanted Hunters) – voice, violin, guitar
· Magdalena Gajdzica (Enchanted Hunters) – voice, flute, (synth)
· Joanna Kuźma (Asia i Koty) – voice, piano (keyboard), guitar
· Jarosław Marciszewski (Popsysze) – guitar, voice, djembe
· Jakub Świątek (Popsysze) – drums
· Sławek Draczyński (Popsysze) – bass guitar
· Jakub Kozak (The Esthetics) – guitar
· Karol Schwarz (KSAS) – pure phase (analogue synthesizer)

muzyka, słowa: Pure Phase Ensemble 3

nagranie: Tomek Wojakowski
miks, produkcja, mastering: Karol Schwarz
kordynator projektu: Anna Szynwelska
fotografie: Paweł Jóźwiak
okładka: Justyna Krzywicka

nasiono records 67/2014
contact: info@nasiono.net
www.nasiono.net
www.spacefest.pl

SpaceFest! to festiwal muzyki shoegaze, space rock i alternative, na który składają się koncerty, warsztaty dla muzyków z Polski i zagranicy, spotkania z legendarnymi wykonawcami alternatywnymi, konkurs dla młodych zespołów, wydawnictwa płytowe. Już od 2014 roku zawsze odbywa w Gdańsku się w pierwszy weekend grudnia.
Festiwal jest organizowany przez Stowarzyszenie Nasiono we współpracy z Centrum Sztuki Współczesnej Łaźnia, Klubem Żak i przy wsparciu Miasta Gdańska.

format: cd-audio
okładka: unipack (2 skrzydła)
czas trwania: 64:57

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